Terence McKenna – DMT Revelations, Hypothesis, and Experiences (Video)

Terence McKenna - DMT Revelations, Hypothesis, and Experiences (Video) | Third Monk image 1

Terence Mckenna – DMT Revelations, Usage and Experiences


Terence McKenna describes a method to getting the most out of your DMT experience along with an anecdotal composite of over 40 of his DMT trips.

 

Terence Mckenna – DMT Hypothesis

Okay hypothesis one, DMT is not a drug, it is an extraterrestrial communication device. These are creatures somewhere in the universe who are so different from us that they come to us not in starships the size of Manhattan but in drug molecules that are dinky. So we are in contact here with some kind of extraterrestrial technology and these are true aliens of some sort. And God knows the weirdness of the situation supports the hypothesis.

Okay second hypothesis. There is a parallel universe, unsuspected by most human beings. It’s right here, all the time. It’s inhabited. These things have their own hopes, fears, problems, so forth. And somehow this drug just erases this boundary and then you find yourself in the elf nest.

Next hypothesis. These things, because they have great affection for me, because they seem intent on the task of communicating, perhaps they are human beings from the distant future. Perhaps this is what we are fated to become. You know, there’s always, since we were kids, the cliché ‘beings of pure energy’. Well it’s always been a little hard to wrap your mind around what that would look like, but, low and behold here appear to be creatures of pure energy. But there are a lot of problems with hypothesizing a future human technological breakthrough which would allow them to actually manipulate the past. Logical paradoxes and that sort of thing.

Well so then here’s another possibility. They are human beings. But they are not in the future in the ordinary sense or in the past. They are in the pre-natal and post-life phase. In other words these are either the unborn waiting in some limbo like dimension to descend into matter. Or they are in fact people who have had a sojourn in the domain of organic existence, and now have moved on. Let me not kid you, we’re talking about dead people here in that case. Well if you go to the shamans who access these places through Ayahuasca or the Virola snuffs or something like that. They will say ‘Well these are our ancestors. Didn’t you read Mircea Eliade. Don’t you know that shamanism works through ancestor magic?’ Well “ancestor” is a tremendously sanitized term for “dead people”. And if what is actually happening here, is that the much argued about soul is actually made visible by this pharmacological strategy… I mean god knows why, but god knows why anything else is the way it is…. Then this is truly big new. This is the confounding of rationalism. If what is happening is that by pushing the frontiers of pharmacology we discover a way to even momentarily and temporarily erase the boundary between the living and the dead, then this is a 180 degree turn on the evolution of culture that not even the most technically infatuated among us are prepared to assimilate. And over time, I’ve sort of come to incline to the idea that this is what is in fact going on. And the reason it’s so hard to bring anything out of the DMT flash is because at the center of the flash you find out something so unexpected, so appalling, and so existentially convincing in the moment of confronting it, that you simply immediately block it out and obliterate it.

Terence McKenna – DMT Vs. 5-MEO-DMT

This clip is taken from a talk titled “The Ethnobotany of Shamanism -Part 5” Podcast 191. In this clip Terence gives us his take on the difference between 5-MeO-DMT and nnDMT and his preference for nnDMT.

Some people do not prefer 5-MeO-DMT, I imagine this has to do with the ego death aspect of it…but the potential of both in a spiritual symbiosis may be exactly what the shaman ordered.

From Terence Mckenna Food of The Gods

“The DMT Experience”


What can be said of DMT as an experience and in relation to our own spiritual emptiness? Does it offer us answers? Do the short-acting tryptamines offer an analogy to the ecstasy of the partnership society before Eden became a memory? And if they do, then what can we say about it?

What has impressed me repeatedly during my many glimpses into the world of the hallucinogenic indoles, and what seems generally to have escaped comment, is the transformation of narrative and language. The experience that engulfs one’s entire being as one slips beneath the surface of the DMT ecstasy feels like the penetration of a membrane. The mind and the self literally unfold before one’s eyes. There is a sense that one is made new, yet unchanged, as if one were made of gold and had just been recast in the furnace of one’s birth. Breathing is normal, heartbeat steady, the mind clear and observing. But what of the world? What of incoming sensory data?

Under the influence of DMT, the world becomes an Arabian labyrinth, a palace, a more than possible Martian jewel, vast with motifs that flood the gaping mind with complex and wordless awe. Color and the sense of a reality-unlocking secret nearby pervade the experience. There is a sense of other times, and of one’s own infancy, and of wonder, wonder and more wonder. It is an audience with the alien nuncio. In the midst of this experience, apparently at the end of human history, guarding gates that seem surely to open on the howling maelstrom of the unspeakable emptiness between the stars, is the Aeon.

The Aeon, as Heraclitus presciently observed, is a child at play with colored balls. Many diminutive beings are present there — the tykes, the self-transforming machine elves of hyperspace. Are they the children destined to be father to the man? One has the impression of entering into an ecology of souls that lies beyond the portals of what we naively call death. I do not know. Are they the synesthetic embodiment of ourselves as the Other, or of the Other as ourselves? Are they the elves lost to us since the fading of the magic light of childhood? Here is a tremendum barely to be told, an epiphany beyond our wildest dreams. Here is the realm of that which is stranger than we can suppose. Here is the mystery, alive, unscathed, still as new for us as when our ancestors lived it fifteen thousand summers ago. The tryptamine entities offer the gift of new language, they sing in pearly voices that rain down as colored petals and flow through the air like hot metal to become toys and such gifts as gods would give their children. The sense of emotional connection is terrifying and intense. The Mysteries revealed are real and if ever fully told will leave no stone upon another in the small world we have gone so ill in.

This is not the mercurial world of the UFO, to be invoked from lonely hilltops; this is not the siren song of lost Atlantis wailing through the trailer courts of crack-crazed America. DMT is not one of our irrational illusions. What we experience in the presence of DMT is real news. It is a nearby dimension — frightening, transformative, and beyond our powers to imagine, and yet to be explored in the usual way. We must send fearless experts, whatever that may come to mean, to explore and to report on what they find.

Terence McKenna – Return to Our Stoned Shaman Core of Mystery and Imagination (Video)

Terence McKenna - Return to Our Stoned Shaman Core of Mystery and Imagination (Video) | Third Monk

Terence McKenna talks about the diseases of modern society, the archaic revival, the psychedelic mystery, culture and transformation from the question and answer session of his lecture entitled ‘Eros And The Eschaton’.

The idea there is that we have gone sick by following a path of untrammelled rationalism, male dominance, attention to the visible surface of things, practicality, bottom-line-ism. We have gone very, very sick. And the body politic, like any body, when it feels itself to be sick, it begins to produce antibodies, or strategies for overcoming the condition of disease. And the 20th century is an enormous effort at self-healing. Phenomena as diverse as surrealism, body piercing, psychedelic drug use, sexual permissiveness, jazz, experimental dance, rave culture, tattooing, the list is endless.

I applaud all of this; because it’s an impulse to return to what is felt by the body – what is authentic, what is archaic – and when you tease apart these archaic impulses, at the very centre of all these impulses is the desire to return to a world of magical empowerment of feeling. And at the centre of that impulse is the shaman: stoned, intoxicated on plants, speaking with the spirit helpers, dancing in the moonlight, and vivifying and invoking a world of conscious, living mystery. That’s what the world is.

Vice – World’s Scariest Drug, Scopolamine “The Devil’s Breath” (Video)

Vice - World's Scariest Drug, Scopolamine "The Devil's Breath" (Video)  | Third Monk

VICE’s Ryan Duffy went to Colombia to check out a strange and powerful drug called Scopolamine, also known as “The Devil’s Breath.” It’s a substance so intense that it renders a person incapable of exercising free will.

The first few days in the country were a harrowing montage of freaked-out dealers and unimaginable horror stories about Scopolamine. After meeting only a few people with firsthand experience, the story took a far darker turn than we ever could have imagined. vice-world-scariest-drug-Scopolamine-devils-breath

Woody Harrelson – Thoughts From Within, a Stoner Poem on Society (Video)

Woody Harrelson - Thoughts From Within, a Stoner Poem on Society (Video) | Third Monk

Woody expresses his stoner observations on the world, our environment, the government and his hope for change.

Morality is legislated
prisons over-populated
religion is incorporated
the profit-motive has permeated all activity
we pay our government to let us park on the street
And war is the biggest money-maker of all
we all know missile envy only comes from being small.

I sometimes feel like an alien creature
for which there is no earthly explanation
Sure I have human form
walking erect and opposing digits,
but my mind is upside down.
I feel like a run-on sentence
in a punctuation crazy world.
and I see the world around me
like a mad collective dream.

An endless stream of people
move like ants from the freeway
cell phones, pc’s, and digital displays
“In Money We Trust,”
we’ll find happiness
the prevailing attitude;
like a genetically modified irradiated Big Mac
is somehow symbolic of food.

Morality is legislated
prisons over-populated
religion is incorporated
the profit-motive has permeated all activity
we pay our government to let us park on the street
And war is the biggest money-maker of all
we all know missile envy only comes from being small.

Politicians and prostitutes
are comfortable together
I wonder if they talk about the strange change in the weather.
This government was founded by, of, and for the people
but everybody feels it
like a giant open sore
they don’t represent us anymore
And blaming the President for the country’s woes
is like yelling at a puppet
for the way it sings
Who’s the man behind the curtain pulling the strings?

A billion people sitting watching their TV
in the room that they call living
but as for me
I see living as loving
and since there is no loving room
I sit on the grass under a tree
dreaming of the way things used to be
Pre-Industrial Revolution
which of course is before the rivers and oceans, and skies were polluted
before Parkinson’s, and mad cows
and all the convoluted cacophony of bad ideas
like skyscrapers, and tree paper, and earth rapers
like Monsanto and Dupont had their way
as they continue to today.

This was Pre-us
back when the buffalo roamed
and the Indian’s home
was the forest, and God was nature
and heaven was here and now
Can you imagine clean water, food, and air
living in community with animals and people who care?

Do you dare to feel responsible for every dollar you lay down
are you going to make the rich man richer
or are you going to stand your ground
You say you want a revolution
a communal evolution
to be a part of the solution
maybe I’ll be seeing you around.

~ Woody Harrelson

Carl Sagan – Human Conceit, We Are Not the Center of the Universe (Video)

Carl Sagan – Human Conceit, We Are Not the Center of the Universe (Video) | Third Monk

Philosophy and religion cautioned that the gods (or God) were far more powerful than we, jealous of their prerogatives and quick to mete out justice for insufferable arrogance. At the same time, these disciplines had not a clue that their own teaching of how the Universe is ordered was a conceit and a delusion.

Every other proposal, and their number is legion, to displace us from cosmic center stage has also been resisted, in part for similar reasons. We seem to crave privilege, merited not by our work, but by our birth, by the mere fact that, say, we are humans and born on Earth. We might call it the anthropocentric—the “human-centered”—conceit. This conceit is brought close to culmination in the notion that we are created in God’s image: The Creator and Ruler of the entire Universe looks just like me. My, what a coincidence. How convenient and satisfying! –Carl Sagan

Joe Rogan – The Mind in a Sensory Deprivation Tank (Video)

Joe Rogan - The Mind in a Sensory Deprivation Tank (Video) | Third Monk

Joe Rogan speaks on what the mind goes through in a sensory deprivation tank and the awesome potential you can achieve with one.

The first 20 minutes for me at least is sort of like a seminar on my life. It shows me all that the different issues in my life that I don’t like and that I need to fix, things that are bothering me, things about my own behavior that could have been better, and things where I disappointed myself

Then it will show me some things where I’m on the right track, this is good, continue here, continue doing this, continue thinking like this, continuing explore these ideas but then once it gets ME done, it’s like let’s clear all this bullshit in your life, let’s think about the big picture.

And then it’s pure thought, it’s like the mind completely untethered from the body and then I start contemplating everything, I start contemplating the universe, the role of human beings and each individual’s actions all accumulating to one specific event, I start thinking all kinds of crazy shit but without the body in the way.

Check out Intro to the Isolation Tank (Floatation Sensory Deprivation) for our post on the development of the tank and how you can try out the experience.

Terence Mckenna – Free Yourself From Ideology, Nobody is Smarter Than You Are (Video)

Terence Mckenna - Free Yourself From Ideology, Nobody is Smarter Than You Are (Video) | Third Monk

In my humble opinion, ideology is only going to get in your way. Nobody understands what is happening. Not Buddhists. Not Christians. Not government scientists. Not… you know. No one!… understands what is happening. So, forget ideology. They betray. They limit. They lead astray. Just deal with the raw data and trust yourself.

Nobody is smarter than you are. And what if they are? What good is their understanding doing you? People walk around saying ‘Well, I don’t understand quantum physics but somewhere somebody understands it’. That’s not a very helpful attitude towards observing the insights of quantum physics.

Inform yourself. What does inform yourself mean? It means transcend and mistrust ideology. Go for direct experience.

What do YOU think when YOU face the waterfall?

What do YOU think when YOU have sex?

What do YOU think when YOU take psilocybin?

Everything else is unconfirmable rumor, useless, probably lies.

So, liberate yourself from the illusion of culture.

Take responsibility for what you think and what you do.

Everything You Need to Know About Writing Successfully in Ten Minutes – Stephen King

Everything You Need to Know About Writing Successfully in Ten Minutes - Stephen King | Third Monk image 1

Stephen King used to teach English composition to high school kids while struggling to write a novel called Carrie – as well as work part time at a steam laundering industry and help his wife Tabitha raise their first child. So if you want a little friendly advice from the person who has probably made the single best living of anyone who has ever tapped finger to keyboard, this is your guy.

1. Be talented

This, of course, is the killer. What is talent? I can hear someone shouting, and here we are, ready to get into a discussion right up there with “what is the meaning of life?” for weighty pronouncements and total uselessness. For the purposes of the beginning writer, talent may as well be defined as eventual success – publication and money. If you wrote something for which someone sent you a check, if you cashed the check and it didn’t bounce, and if you then paid the light bill with the money, I consider you talented.

Now some of you are really hollering. Some of you are calling me one crass money-fixated creep. And some of you are calling me bad names. Are you calling Harold Robbins talented? someone in one of the Great English Departments of America is screeching. V.C. Andrews? Theodore Dreiser? Or what about you, you dyslexic moron?

Nonsense. Worse than nonsense, off the subject. We’re not talking about good or bad here. I’m interested in telling you how to get your stuff published, not in critical judgments of who’s good or bad. As a rule the critical judgments come after the check’s been spent, anyway. I have my own opinions, but most times I keep them to myself. People who are published steadily and are paid for what they are writing may be either saints or trollops, but they are clearly reaching a great many someones who want what they have. Ergo, they are communicating. Ergo, they are talented. The biggest part of writing successfully is being talented, and in the context of marketing, the only bad writer is one who doesn’t get paid. If you’re not talented, you won’t succeed. And if you’re not succeeding, you should know when to quit.

When is that? I don’t know. It’s different for each writer. Not after six rejection slips, certainly, nor after sixty. But after six hundred? Maybe. After six thousand? My friend, after six thousand pinks, it’s time you tried painting or computer programming.

Further, almost every aspiring writer knows when he is getting warmer – you start getting little jotted notes on your rejection slips, or personal letters . . . maybe a commiserating phone call. It’s lonely out there in the cold, but there are encouraging voices … unless there is nothing in your words which warrants encouragement. I think you owe it to yourself to skip as much of the self-illusion as possible. If your eyes are open, you’ll know which way to go … or when to turn back.

 

2. Be neat

Type. Double-space. Use a nice heavy white paper, never that erasable onion-skin stuff. If you’ve marked up your manuscript a lot, do another draft.

 

3. Be self-critical

If you haven’t marked up your manuscript a lot, you did a lazy job. Only God gets things right the first time. Don’t be a slob.

 

4. Remove every extraneous word

You want to get up on a soapbox and preach? Fine. Get one and try your local park. You want to write for money? Get to the point. And if you remove all the excess garbage and discover you can’t find the point, tear up what you wrote and start all over again . . . or try something new.

 

5. Never look at a reference book while doing a first draft

You want to write a story? Fine. Put away your dictionary, your encyclopedias, your World Almanac, and your thesaurus. Better yet, throw your thesaurus into the wastebasket. The only things creepier than a thesaurus are those little paperbacks college students too lazy to read the assigned novels buy around exam time. Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule. You think you might have misspelled a word? O.K., so here is your choice: either look it up in the dictionary, thereby making sure you have it right – and breaking your train of thought and the writer’s trance in the bargain – or just spell it phonetically and correct it later. Why not? Did you think it was going to go somewhere? And if you need to know the largest city in Brazil and you find you don’t have it in your head, why not write in Miami, or Cleveland? You can check it … but later. When you sit down to write, write. Don’t do anything else except go to the bathroom, and only do that if it absolutely cannot be put off.

 

6. Know the markets

Only a dimwit would send a story about giant vampire bats surrounding a high school to McCall’s. Only a dimwit would send a tender story about a mother and daughter making up their differences on Christmas Eve to Playboy … but people do it all the time. I’m not exaggerating; I have seen such stories in the slush piles of the actual magazines. If you write a good story, why send it out in an ignorant fashion? Would you send your kid out in a snowstorm dressed in Bermuda shorts and a tank top? If you like science fiction, read the magazines. If you want to write confession stories, read the magazines. And so on. It isn’t just a matter of knowing what’s right for the present story; you can begin to catch on, after awhile, to overall rhythms, editorial likes and dislikes, a magazine’s entire slant. Sometimes your reading can influence the next story, and create a sale.

 

7. Write to entertain

Does this mean you can’t write “serious fiction”? It does not. Somewhere along the line pernicious critics have invested the American reading and writing public with the idea that entertaining fiction and serious ideas do not overlap. This would have surprised Charles Dickens, not to mention Jane Austen, John Steinbeck, William Faulkner, Bernard Malamud, and hundreds of others. But your serious ideas must always serve your story, not the other way around. I repeat: if you want to preach, get a soapbox.

 

8. Ask yourself frequently, “Am I having fun?”

The answer needn’t always be yes. But if it’s always no, it’s time for a new project or a new career.

 

9. How to evaluate criticism

Show your piece to a number of people – ten, let us say. Listen carefully to what they tell you. Smile and nod a lot. Then review what was said very carefully. If your critics are all telling you the same thing about some facet of your story – a plot twist that doesn’t work, a character who rings false, stilted narrative, or half a dozen other possibles – change that facet. It doesn’t matter if you really liked that twist of that character; if a lot of people are telling you something is wrong with you piece, it is. If seven or eight of them are hitting on that same thing, I’d still suggest changing it. But if everyone – or even most everyone – is criticizing something different, you can safely disregard what all of them say.

 

10. Observe all rules for proper submission

Return postage, self-addressed envelope, all of that.

 

11. An agent? Forget it. For now

Agents get 10% of monies earned by their clients. 10% of nothing is nothing. Agents also have to pay the rent. Beginning writers do not contribute to that or any other necessity of life. Flog your stories around yourself. If you’ve done a novel, send around query letters to publishers, one by one, and follow up with sample chapters and/or the manuscript complete. And remember Stephen King’s First Rule of Writers and Agents, learned by bitter personal experience: You don’t need one until you’re making enough for someone to steal … and if you’re making that much, you’ll be able to take your pick of good agents.

 

12. If it’s bad, kill it

When it comes to people, mercy killing is against the law. When it comes to fiction, it is the law.

That’s everything you need to know. And if you listened, you can write everything and anything you want. Now I believe I will wish you a pleasant day and sign off.

My ten minutes are up.

> The Writer (1986) | Stephen King

2pac On Income, Class Inequality and the Rich Wasting Resources in Excess (Video)

2pac On Income, Class Inequality and the Rich Wasting Resources in Excess (Video) | Third Monk

Because I feel like, you know, it’s too much money here. I mean, nobody should be hitting Lotto for 36 million and we got people starving in the streets. That is not idealistic, that’s just real. That is just stupid. There’s no way that Michael Jackson or whoever Jackson should have a million thousand droople billion dollars and then there’s people starving. There’s no way! There’s no way that these people should own planes and there people don’t have houses. Apartments. Shacks. Drawers. Pants! I know you’re rich. I know you got 40 billion dollars, but can you just keep it to one house? You only need one house. And if you only got two kids, can you just keep it to two rooms? I mean why have 52 rooms and you know there’s somebody with no room? It just don’t make sense to me. It don’t. And then these people celebrate Christmas. They got big trees, huge trees, all the little trimmings, everybody got gifts and there’s somebody starving. And they’re having a White Christmas. They’re having a great Christmas. Eggnog and the whole 9. That’s not fair to me.” – Tupac Shakur