Our Bond With the Universe, A Movie Mashup Tribute (Video)

Video Editor Max Shishkin combined the soundtrack of Intersellar, the voice of Anthony Hopkins reading “Do not go gentle into that good night” by Dylan Thomas, and footage from 35 space films to make this amazing mashup.

2001: A Space Odyssey (1968, dir. Stanley Kubrick)

Alien (1979, dir. Ridley Scott)

Aliens (1986, dir. James Cameron)

Armageddon (1998, dir. Michael Bay)

Avatar (2009, dir. James Cameron)

Battleship (2012, dir. Peter Berg)

Cargo (2009, dir. Ivan Engler, Ralph Etter)

Elysium (2013, dir. Neill Blomkamp)

Europa Report (2013, dir. Sebastián Cordero)

Event Horizon (1997, dir. Paul Anderson)

Gravity (2013, dir. Alfonso Cuarón)

Guardians of the Galaxy (2014, dir. James Gunn)

Interstellar (2014, dir. Christopher Nolan)

Lockout (2012, dir. James Mather, Stephen St. Leger)

Lost in Space (1998, dir. Stephen Hopkins)

Man of Steel (2013, dir. Zack Snyder)

Mission to Mars (2000, dir. Brian De Palma)

Moon (2009, dir. Duncan Jones)

Oblivion (2013, dir. Joseph Kosinski)

Pandorum (2009, dir. Christian Alvart)

Prometheus (2012, dir. Ridley Scott)

Solaris (1972, dir. Andrey Tarkovskiy)

Solaris (2002, dir. Steven Soderbergh)

Star Trek (2009, dir. J.J. Abrams)

Star Trek: Into Darkness (2013, dir. J.J. Abrams)

Star Wars: Episode IV – A New Hope (1977, dir. George Lucas)

Star Wars: Episode VI – Return of the Jedi (1983, dir.Richard Marquand)

Starship Troopers (1997, dir. Paul Verhoeven)

Sunshine (2007, dir. Danny Boyle)

The Fountain (2006, dir. Darren Aronofsky)

The Hitchhiker’s Guide to the Galaxy (2005, dir. Garth Jennings)

The Last Days on Mars (2013, dir. Ruairi Robinson)

The Signal (2014, dir. William Eubank)

Thor: The Dark World (2013, dir. Alan Taylor)

Transformers: Dark of the Moon (2011, dir. Michael Bay)

Painting Scenes – Cinematography Photo Gallery

Painting Scenes - Cinematography Photo Gallery | Third Monk image 8

Memorable film shots are born when a cinematographer uses the camera to paint a story. Every second is art in motion.

The Dark Knight by Wally Pfister

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Sympathy for Lady Vengeance by Chung Chung-hoon

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Stoker by Chung Chung-hoon

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Metropolis by Freund, Rittau, and Ruttmann

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Kill Bill: Vol. 1 by Robert Richardson

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Into the Wild by Eric Gautier

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Inglourious Basterds by Robert Richardson

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I Saw the Devil by Lee Mo-gae

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The House of the Devil by Eliot Rockett

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Halloween II by Dean Cundey

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Halloween by Dean Cundey

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Grindhouse: Death Proof by Quentin Tarantino

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Gremlins by John Hora

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Eraserhead by Frederick Elmes and Herbert Cardwell

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Apocalypse Now by Vittorio Storaro

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A Nightmare on Elm Street 5: The Dream Child by Peter Levy

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A Clockwork Orange by John Alcott

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2001: A Space Odyssey by Geoffrey Unsworth

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The Shining by John Alcott

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The Elephant Man by Freddie Francis

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Compiled from Reddit, view the full cinematography gallery on Imgur (note: about 300 photos)

Kubrick’s Answer – The Beauty of a Meaningless Life (Comic Strip)

Kubrick's Answer - The Beauty of a Meaningless Life (Comic Strip) | Third Monk image 2

Life is a beautiful thing, if you want it to be.

Taking an active role in the way we define our experiences allows more opportunities for growth; to be in an unusual situation, to overcome a new challenge or to create a work of art that sparks your imagination.

Kubrick’s answer is flawlessly expressed in Gavin Aung Than’s story panels. Each image underscoring his powerful message.

Stanley Kubrick Zenpencils

Kubrick is often described as an eccentric thanks to the stories about his obsessive attention to detail, treatment of actors, personality quirks and reclusiveness.

But these anecdotes are overshadowed by his ground-breaking movies, technical expertise and the opinions of those close to him, who described him as a warm, loving and gregarious genius of a man.

The quote used in the comic is taken from a 1968 Playboy interview Kubrick did soon after the release of 2001: A Space Odyssey. – Zen Pencils

Sunshine, A Visual Masterpiece About Our Dying Sun From Danny Boyle

Sunshine, A Visual Masterpiece About Our Dying Sun From Danny Boyle | Third Monk image 3

sunshine-danny-boyle-4If you were cool enough to catch Danny Boyle’s Sunshine during its 2007 theatrical run, you were treated to a visually immersive film that brought you on board with a space crew chosen to save human existence by replenishing a dying sun. Supporting the eye opening cinematography was the beautiful soundtrack score by John Murphy that has been used in various films and shows like the Walking Dead.

The protagonists of Boyle’s films have included nihilist junkies (“Trainspotting”), enraged zombies (“28 Days Later”), neo-hippie backpackers (“The Beach”) and poverty defying children (“Slumdog Millionaire”). His genres have ranged from black comedy to apocalyptic horror to the metaphysical science fiction themes explored in Sunshine.

Sunshine Trailer – Directed by Danny Boyle

The principle of sensory stimulation is front and center in “Sunshine,” which depicts a manned mission to the Sun. A crew of scientists has been given the task of restarting the dying star by torpedoing it with a nuclear payload. The tone of the film is a throwback to 2001: A Space Odyssey and the premise seems to be lifted from the 1968 Pink Floyd title Set the Controls for the Heart of the Sun. On a related note, Pink Floyd was originally asked to score the soundtrack for 2001: A Space Odyssey.

Sunshine – The Surface of the Sun, Music Tribute

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One constant in my film career is focus on sheer physical pleasure. I don’t want people to sit there and objectively watch the film. I want them to experience it as something that’s under their skin, so you try to make the films really tactile. – Danny Boyle

Sunshine – Captain Kaneda Meets the Sun

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Danny Boyle his screenwriter, the novelist Alex Garland, who also wrote the script for “28 Days Later,” embraced the idea that “Sunshine,” precisely because of the vastness of its subject, would be a space odyssey in the most interior sense: a head trip. “It’s like films about mountains,” he said. “They’re not about mountaineering. They’re about the mind. Movies about space raise those questions of what we’re doing here, and that inevitably introduces a spiritual dimension.”

sunshine-danny-boyle-2Boyle tried to inspire a suitable degree of awe for the scenes that simulated contact with the Sun (crew members peer out at the looming orb through Ray-Bans and filtered windows). “I’d say things like, ‘Every bit of you is just a bit of exploded star,’ a nod to Carl Sagan’s philosophies.

Sunshine – Helios, Music Tribute

 

Sunshine – Danny Boyle Interview

 

Sunshine – Quentin Tarantino Review


> The Space Odyssey of Danny Boyle | New York Times

Psychedelic Cosmos – Pink Floyd’s Echoes, 2001: A Space Odyssey Mash Up (Video)

Psychedelic Cosmos - Pink Floyd's Echoes, 2001: A Space Odyssey Mash Up (Video) | Third Monk

Rumors suggest that Pink Floyd’s “Echoes” synchronizes with Stanley Kubrick’s 1968 film 2001: A Space Odyssey, when played concurrently with the final segment (titled “Jupiter and Beyond the Infinite”).

“Echoes” was released three years after the film’s production and is 23 minutes and 31 seconds in length; similar to the “Infinite” segment.

Sound effects in the middle of the song convey the feeling of travelling through, or flying over, an alien world.

The drone vocalizations heard in the final scenes of 2001 seem to match with the discordant bass vibrations in the middle of “Echoes”, as well as the choral glissando’s of its finale.

Another notable link occurs during a change in scene at precisely the moment when guitar and keyboards crescendo as the lyrics re-enter for the final verse.

The early lyrics vaguely convey reference to planets, which seems entirely suitable for the film’s depiction of Jupiter and it’s moons.

Adrian Maben re-created this marriage of music and image using CGI in his Director’s cut of Live at Pompeii.

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