What If Nebulae Were Visible From Earth? (Video)

What If Nebulae Were Visible From Earth? (Video) | Third Monk image 2

With so much light pollution obscuring the beauty of the cosmos, it’s easy to feel like the Earth has a finite ceiling. The uniform night sky gives the illusion of a stationary planet but what if nebuale could be seen every night? Hashem AL-ghaili from SciTech produced this amazing video to visualize how nebulae can remind us of our star dust origins.

What If Other Planets Were Visible From Earth?

We previously shared a video that simulated how each planet would appear in space if it shared an orbit with the moon, 380,000 kms from earth. Now, you can get a visual idea of how this concept would look on earth from this series of videos edited by Yeti Animation.

If the Moon Were Replaced with Other Planets (Day)

Mercury is intentionally left off as it isn’t Much bigger than our Moon (and hence is boring). Everything is correctly scaled. The Axial tilts are not particularly accurate. The moon that flies in front of Saturn is Tethys, it is tiny but very close.

I created an Earth Moon system in 3dsmax, with accurate sizes and accurate orbital distances.. I than matched video of the real Moon with my video camera, against my model. I next modeled up the rest of the planets in proper scale (Real values) set at the distance of the moon (also real values), created the animation of them rotating around, and composited the whole bunch.

1. We would not be engulfed by Jupiter or any other planet, Jupiter’s radius is 71,490 km and the distance to the Moon is 384,000km

2. Saturn is not larger than Jupiter. Saturn + RINGS is larger than Jupiter

3. We would suffer from really really horrible tides, and Volcanoes And some pretty bad Radiation from Jupiter. It *could* strip away our atmosphere, but haven’t done the math. Eventually our planet would become tidally locked (that is the same side of Earth would always face Jupiter. we would Still have some bad tides and volcanoes from being in a slightly ellipitical orbit, and from the other moons of Jupiter, and the Sun having tidal influence. I have not calculated how bad the Tides would be. A Simple guess would be at Least 300 times more exaggerated than they are now, This figure could be way off, it’s simply an educated guess.

4. We would not be in the rings of Saturn. Or to rephrase that, we would not be in any of the Visable rings of Saturn, There are some very very faint rings that strech out far that we would be in, but i did not model them.

5. We would not be crushed by the Gravity of Jupiter, This is not how orbiting works!.
However, at the Roche limit, we WOULD become a new ring system, The Roche limit is *about* 36,000km above the “surface” of Jupiter or 106,000km from the center of Jupiter. So, to reiterate if the center of Jupiter was 106,000km away from the center of the earth, Our planet would become a new Ring system of Jupiter.

6. I did not model the Ring of debris around Uranus (this faq will be deleted in a few days)

7. This is not an ad for any beer company, no one has endorsed me, or this animation, It’s just the traffic that drove by.

8. There is Ring Shine on Saturn, but it is very faint, the Rings are reflecting light onto Saturn in the animation. The moon that flies by is Tethys

9. I love Pluto, and Mercury. They are left off because they are too small. Pluto is smaller than our Moon, and Mercury is not significantly larger than our Moon.

10. The “Sun” i used for lighting the planets is slightly off from reality, this was done so that they weren’t totally dark and boring

11. FOV is about 47 degrees

12. Orbiting! Yes! we would be a moon of Saturn, Jupiter, Uranus, and Neptune. They are much more massive than the Earth. Venus is about the same size of the Earth and we would orbit around a center point between us

13. Rotation rates and axial tilts are not accurate to anything

14. Radius of the Sun is 695,500 km, and hence if it were where our Moon is, we would be engulfed by it

If the Moon Were the Same Distance as the International Space Station

 

If the Moon Were Replaced with Other Planets (Night)

A star-forming region 5,000 light years away in the constellation Monoceros.

Dying Beautifully With LSD – How Aldous Huxley Left the World

Brave New World novelist Aldous Huxley was diagnosed with cancer in 1960, at which point his health slowly began to deteriorate.

On his deathbed in November of 1963, just as he was passing away, Aldous Huxley — a man who for many years had been fascinated with the effects of psychedelic drugs since being introduced to mescaline in 1953 — asked his wife Laura to administer him with LSD. She agreed.

The following letter — an incredibly moving, detailed account of Aldous’s last days — was written by Laura just days after her husband’s death and sent to his older brother Julian.

The scans of the letter are a little blurry, a full transcript follows below the images.

Aldous-Huxley-Letter-1Aldous-Huxley-Letter-2Aldous-Huxley-Letter-3Aldous-Huxley-Letter-4Aldous-Huxley-Letter-5Aldous-Huxley-Letter-6Aldous-Huxley-Letter-7Aldous-Huxley-Letter-8

 

Transcript

6233 Mulholland Highway
Los Angeles 28, California
December 8, 1963

Dearest Julian and Juliette:

There is so much I want to tell you about the last week of Aldous’ life and particularly the last day. What happened is important not only for us close and loving but it is almost a conclusion, better, a continuation of his own work, and therefore it has importance for people in general.

First of all I must confirm to you with complete subjective certainty that Aldous had not consciously looked at the fact that he might die until the day he died. Subconsciously it was all there, and you will be able to see this for yourselves because beginning from November 15th until November 22nd I have much of Aldous’ remarks on tape, For these tapes I know we shall all be immensely grateful. Aldous was never quite willing to give up his writing and dictate or makes notes on a recorder. He used a Dictograph, only to read poetry or passages of literature; he would listen to these in his quite moments in the evening as he was going to sleep. I have had a tape recorder for years, and I tried to use it with him sometimes, but it was too bulky, and particularly now when we were always in the bedroom and the bed had so much hospital equipment around it. (We had spoken about buying a small one, but the market here is flooded with transister tape recorders, and most of them are very bad. I didn’t have time to look into it, and this remained just one of those things like many others that we were going to do.) In the beginning of November, when Aldous was in the hospital, my birthday occurred, so Jinny looked carefully into all the machines, and presented me with the best of them – a small thing, easy manageable and practically unnoticeable. After having practiced with it myself a few days, I showed it to Aldous, who was very pleased with it, and from the 15th on we used it a little every day recording his dreams and notes for future writing.

The period from the 15th to the 22nd marked, it seems to me, a period of intense mental activity for Aldous. We had diminished little by little the tranquillizers he had been taking four times a day a drug called Sperine which is akin, I understand, to Thorazin. We diminished it practically to nothing only used painkillers like Percodon a little Amitol , and something for nausea. He took also a few injections of 1/2 cc of Dilaudid, which is a derivative of morphine, and which gave him many dreams, some of which you will hear on the tape. The doctor says this is a small intake of morphine.

Now to pick up my point again, in these dreams as well as sometimes in his conversation, it seemed obvious and transparent that subconsciously he knew that he was going to die. But not once consciously did he speak of it. This had nothing to do with the idea that some of his friends put forward, that he wanted to spare me. It wasn’t this, because Aldous had never been able to play a part, to say a single lie; he was constitutionall unable to lie, and if he wanted to spare me, he could certainly have spoken to Jinny.

During the last two months I gave him almost daily an opportunity, an opening for speaking about death, but of course this opening was always one that could have been taken in two ways – either towards life or towards death, and he always took it towards life. We read the entire manual of Dr. Leary extracted from The Book of the Dead. He could have, even jokingly said don’t forget to remind me his comment instead was only directed to the way Dr. Leary conducted his LSD sessions, and how he would bring people, who were not dead, back here to this life after the session. It is true he said sometimes phrases like, “If I get out of this,” in connection to his new ideas for writing, and wondered when and if he would have the strength to work. His mind was very active and it seems that this Dilaudid had stirred some new layer which had not often been stirred in him.

The night before he died, (Thursday night) about eight o’clock, suddenly an idea occurred to him. “Darling,” he said, “it just occurs to me that I am imposing on Jinny having somebody as sick as this in the house with the two children, this is really an imposition.” Jinny was out of the house at the moment, and so I said, “Good, when she comes back I will tell her this. It will be a nice laugh.” “No,” he said with unusual insistence, “we should do something about it.” “Well,” I replied, keeping it light, “all right, get up. Let’s go on a trip.” “No”, he said, “It is serious. We must think about it. All these nurses in the house. What we could do, we could take an apartment for this period. Just for this period.” It was very clear what he meant. It was unmistakeably clear. He thought he might be so sick for another three of four weeks, and then he could come back and start his normal life again. This fact of starting his normal life occurred quite often. In the last three or four weeks he was several times appalled by his weakness, when he realized how much he had lost, and how long it would take to be normal again. Now this Thursday night he had remarked about taking an apartment with an unusual energy, but a few minutes later and all that evening I felt that he was going down, he was losing ground quickly. Eating was almost out of the question. He had just taken a few spoonsful of liquid and puree, in fact every time that he took something, this would start the cough. Thursday night I called Dr. Bernstein, and told him the pulse was very high – 140, he had a little bit of fever and whole feeling was one of immanence of death. But both the nurse and the doctor said they didn’t think this was the case, but that if I wanted him the doctor would come up to see him that night. Then I returned to Aldous’ room and we decided to give him an injection of Dilaudid. It was about nine o’clock, and he went to sleep and I told the doctor to come the next morning. Aldous slept until about two a.m. and then he got another shot, and I saw him again at six-thirty. Again I felt that life was leaving, something was more wrong than usual, although I didn’t know exactly what, and a little later I sent you and Matthew and Ellen and my sister a wire. Then about nine a.m. Aldous began to be so agitated, so uncomfortable, so desperate really. He wanted to be moved all the time. Nothing was right. Dr. Bernstein came about that time and decided to give him a shot which he had given him once before, something that you give intravenously, very slowly – it takes five minutes to give the shot, and it is a drug that dilates the bronchial tubes, so that respiration is easier.

This drug made him uncomfortable the time before, it must have been three Fridays before, when he had that crisis I wrote you about. But then it helped him. This time it was quite terrible. He couldn’t express himself but he was feeling dreadul, nothing was right, no position was right. I tried to ask him what was occurring. He had difficulty in speaking, but he managed to say, “Just trying to tell you makes it worse.” He wanted to be moved all the time – “Move me.” “Move my legs.” “Move my arms.” “Move my bed.” I had one of those push-button beds, which moved up and down both from the head and the feet, and incessantly, at times, I would have him go up and down, up and down by pushing buttons. We did this again, and somehow it seemed to give him a little relief. but it was very, very little.

All of a sudden, it must have been then ten o’clock, he could hardly speak, and he said he wanted a tablet to write on, and for the first time he wrote – “If I die,” and gave a direction for his will. I knew what he meant. He had signed his will as I told you about a week before, and in this will there was a transfer of a life insurance policy from me to Matthew. We had spoken of getting these papers of transfer, which the insurance company had just sent, and that actually arrived special delivery just a few minutes before. Writing was very, very difficult for him. Rosalind and Dr. Bernstein were there trying also to understand what he wanted. I said to him, “Do you mean that you want to make sure that the life insurance is transferred from me to Matthew?” He said, “Yes.” I said, “The papers for the transfer have just arrived, if you want to sign them you can sign them, but it is not necessary because you already made it legal in your will. He heaved a sigh of relief in not having to sign. I had asked him the day before even, to sign some important papers, and he had said, “Let’s wait a little while,” this, by the way, was his way now, for him to say that he couldn’t do something. If he was asked to eat, he would say, “Let’s wait a little while,” and when I asked him to do some signing that was rather important on Thursday he said, “Let’s wait a little while” He wanted to write you a letter – “and especially about Juliette’s book, is lovely,” he had said several times. And when I proposed to do it, he would say, “Yes, just in a little while” in such a tired voice, so totally different from his normal way of being. So when I told him that the signing was not necessary and that all was in order, he had a sigh of relief.

“If I die.” This was the first time that he had said that with reference to NOW. He wrote it. I knew and felt that for the first time he was looking at this. About a half an hour before I had called up Sidney Cohen, a psychiatrist who has been one of the leaders in the use of LSD. I had asked him if he had ever given LSD to a man in this condition. He said he had only done it twice actually, and in one case it had brought up a sort of reconciliation with Death, and in the other case it did not make any difference. I asked him if he would advise me to give it to Aldous in his condition. I told him how I had offered it several times during the last two months, but he always said that he would wait until he was better. Then Dr. Cohen said, “I don’t know. I don’t think so. What do you think?” I said, “I don’t know. Shall I offer it to him?” He said, “I would offer it to him in a very oblique way, just say ‘what do you think about taking LSD [sometime again]?'” This vague response had been common to the few workers in this field to whom I had asked, “Do you give LSD in extremes?” ISLAND is the only definite reference that I know of. I must have spoken to Sidney Cohen about nine-thirty. Aldous’ condition had become so physically painful and obscure, and he was so agitated he couldn’t say what he wanted, and I couldn’t understand. At a certain point he said something which no one here has been able to explain to me, he said, “Who is eating out of my bowl?” And I didn’t know what this meant and I yet don’t know. And I asked him. He managed a faint whimsical smile and said, “Oh, never mind, it is only a joke.” And later on, feeling my need to know a little so I could do something, he said in an agonizing way, “At this point there is so little to share.” Then I knew that he knew that he was going. However, this inability to express himself was only muscular – his brain was clear and in fact, I feel, at a pitch of activity.

Then I don’t know exactly what time it was, he asked for his tablet and wrote, “Try LSD 100 intramuscular.” Although as you see from this photostatic copy it is not very clear, I know that this is what he meant. I asked him to confirm it. Suddenly something became very clear to me. I knew that we were together again after this torturous talking of the last two months. I knew then, I knew what was to be done. I went quickly into the cupboard in the other room where Dr. Bernstein was, and the TV which had just announced the shooting of Kennedy. I took the LSD and said, “I am going to give him a shot of LSD, he asked for it.” The doctor had a moment of agitation because you know very well the uneasiness about this drug in the medical mind. Then he said, “All right, at this point what is the difference.” Whatever he had said, no “authority,” not even an army of authorities could have stopped me then. I went into Aldous’ room with the vial of LSD and prepared a syringe. The doctor asked me if I wanted him to give him the shot – maybe because he saw that my hands were trembling. His asking me that made me conscious of my hands, and I said, “No I must do this.” I quieted myself, and when I gave him the shot my hands were very firm. Then, somehow, a great relief came to us both. I believe it was 11:20 when I gave him his first shot of 100 microgrammes. I sat near his bed and I said, “Darling, maybe in a little while I will take it with you. Would you like me to take it also in a little while?” I said a little while because I had no idea of when I should or could take it, in fact I have not been able to take it to this writing because of the condition around me. And he indicated “yes.” We must keep in mind that by now he was speaking very, very little. Then I said, “Would you like Matthew to take it with you also? And he said, “Yes.” “What about Ellen?” He said, “Yes.” Then I mentioned two or three people who had been working with LSD and he said, “No, no, basta, basta.” Then I said, “What about Jinny?” And he said, “Yes,” with emphasis. Then we were quiet. I just sat there without speaking for a while. Aldous was not so agitated physically. He seemed – somehow I felt he knew, we both knew what we were doing, and this has always been a great relief to Aldous. I have seen him at times during his illness very upset until he knew what he was going to do, then even if it was an operation or X-ray, he would make a total change. This enormous feeling of relief would come to him, and he wouldn’t be worried at all about it, he would say let’s do it, and we would go to it and he was like a liberated man. And now I had the same feeling – a decision had been made, he made the decision again very quickly. Suddenly he had accepted the fact of death; he had taken this moksha medicine in which he believed. He was doing what he had written in ISLAND, and I had the feeling that he was interested and relieved and quiet.

After half an hour, the expression on his face began to change a little, and I asked him if he felt the effect of LSD, and he indicated no. Yet, I think that a something had taken place already. This was one of Aldous’ characteristics. He would always delay acknowledging the effect of any medicine, even when the effect was quite certainly there, unless the effect was very, very stong he would say no. Now, the expression of his face was beginning to look as it did every time that he had the moksha medicine, when this immense expression of complete bliss and love would come over him. This was not the case now, but there was a change in comparison to what his face had been two hours ago. I let another half hour pass, and then I decided to give him another 100 mg. I told him I was going to do it, and he acquiesced. I gave him another shot, and then I began to talk to him. He was very quiet now; he was very quiet and his legs were getting colder; higher and higher I could see purple areas of cynosis. Then I began to talk to him, saying, “Light and free,” Some of these thing I told him at night in these last few weeks before he would go to sleep, and now I said it more convincingly, more intensely – “go, go, let go, darling; forward and up. You are going forward and up; you are going towards the light. Willing and consciously you are going, willingly and consciously, and you are doing this beautifully; you are doing this so beautifully – you are going towards the light; you are going towards a greater love; you are going forward and up. It is so easy; it is so beautiful. You are doing it so beautifully, so easily. Light and free. Forward and up. You are going towards Maria’s love with my love. You are going towards a greater love than you have ever known. You are going towards the best, the greatest love, and it is easy, it is so easy, and you are doing it so beautifully.” I believe I started to talk to him – it must have been about one or two o’clock. It was very difficult for me to keep track of time. The nurse was in the room and Rosalind and Jinny and two doctors – Dr. Knight and Dr. Cutler. They were sort of far away from the bed. I was very, very near his ears, and I hope I spoke clearly and understandingly. Once I asked him, “Do you hear me?” He squeezed my hand. He was hearing me. I was tempted to ask more questions, but in the morning he had begged me not to ask any more question, and the entire feeling was that things were right. I didn’t dare to inquire, to disturb, and that was the only question that I asked, “Do you hear me?” Maybe I should have asked more questions, but I didn’t.

Later on I asked the same question, but the hand didn’t move any more. Now from two o’clock until the time he died, which was five-twenty, there was complete peace except for once. That must have been about three-thirty or four, when I saw the beginning of struggle in his lower lip. His lower lip began to move as if it were going to be a struggle for air. Then I gave the direction even more forcefully. “It is easy, and you are doing this beautifully and willingly and consciously, in full awareness, in full awareness, darling, you are going towards the light.” I repeated these or similar words for the last three or four hours. Once in a while my own emotion would overcome me, but if it did I immediately would leave the bed for two or three minutes, and would come back only when I could dismiss my emotion. The twitching of the lower lip lasted only a little bit, and it seemed to respond completely to what I was saying. “Easy, easy, and you are doing this willingly and consciously and beautifully – going forward and up, light anf free, forward and up towards the light, into the light, into complete love.” The twitching stopped, the breating became slower and slower, and there was absolutely not the slightest indication of contraction, of struggle. it was just that the breathing became slower – and slower – and slower, and at five-twenty the breathing stopped.

I had been warned in the morning that there might be some up-setting convulsions towards the end, or some sort of contraction of the lungs, and noises. People had been trying to prepare me for some horrible physical reaction that would probably occur. None of this happened, actually the ceasing of the breathing was not a drama at all, because it was done so slowly, so gently, like a piece of music just finishing in a sempre piu piano dolcemente. I had the feeling actually that the last hour of breathing was only the conditioned reflex of the body that had been used to doing this for 69 years, millions and millions of times. There was not the feeling that with the last breath, the spirit left. It had just been gently leaving for the last four hours. In the room the last four hours were two doctors, Jinny, the nurse, Rosalind Roger Gopal – you know she is the great friend of Krishnamurti, and the directress of the school in Ojai for which Aldous did so much. They didn’t seem to hear what I was saying. I thought I was speaking loud enough, but they said they didn’t hear it. Rosalind and Jinny once in a while came near the bed and held Aldous’ hand. These five people all said that this was the most serene, the most beautiful death. Both doctors and nurse said they had never seen a person in similar physical condition going off so completely without pain and without struggle.

We will never know if all this is only our wishful thinking, or if it is real, but certainly all outward signs and the inner feeling gave indication that it was beautiful and peaceful and easy.

And now, after I have been alone these few days, and less bombarded by other people’s feelings, the meaning of this last day becomes clearer and clearer to me and more and more important. Aldous was, I think (and certainly I am) appalled at the fact that what he wrote in ISLAND was not taken seriously. It was treated as a work of science fiction, when it was not fiction because each one of the ways of living he described in ISLAND was not a product of his fantasy, but something that had been tried in one place or another and some of them in our own everyday life. If the way Aldous died were known, it might awaken people to the awareness that not only this, but many other facts described in ISLAND are possible here and now. Aldous’asking for moksha medicine while dying is a confirmation of his work, and as such is of importance not only to us, but to the world. It is true we will have some people saying that he was a drug addict all his life and that he ended as one, but it is history that Huxleys stop ignorance before ignorance can stop Huxleys.

Even after our correspondence on the subject, I had many doubts about keeping Aldous in the dark regarding his condition. It seemed not just that, after all he had written and spoken about death, he should be let to go into it unaware. And he had such complete confidence in me – he might have taken it for granted that had death been near I certainly would have told him and helped him. So my relief at his sudden awakening at his quick adjusting is immense. Don’t you feel this also.

Now, is his way of dying to remain our, and only our relief and consolation, or should others also benefit from it? What do you feel?

Most Beautiful Death | Letter of Note

Alan Watts – Creating Who You Are (Video)

Alan Watts - Creating Who You Are (Video) | Third Monk

Alan Watts shares his thoughts on life’s inherent transiency. Explaining how our own thoughts and feelings may hinder or aid us in our pursuit of discovering who we are; Watts poignantly expands our minds to allow more of ourselves to be remembered.

Alan Watts – Creating Who You Are Transcript

Why don’t you really know what you want?

Two reasons that you don’t really know what you want:

#1 You have it.

#2 You don’t know yourself, because you never can.

The Godhead is never an object of it’s own knowledge. Just as a knife doesn’t cut itself, fire doesn’t burn itself, light doesn’t illumine itself. It’s always an endless mystery to itself. I don’t know…

And this I don’t know uttered in the infinite interior of the spirit. This I don’t know, is the same thing as, I love. I let go. I don’t try to force or control. It’s the same thing as humility. If you think that you understand Brahman, you do not understand. And you have yet to be instructed further. If you know that you do not understand, then you truly understand. For the Brahman is unknown to those who know it, and known to those who know it not.

And the principle is that anytime you as it were, voluntarily let up control, in other words cease to cling to yourself. You have an access of power. Cause you’re wasting energy all the time in self-defense. Trying to manage things, trying to enforce things to conform to your will. Why don’t you stop doing that?

That wasted energy is available. Therefore, you are in that sense having that energy available, you are one with the divine principle, you have the energy. When you are trying, however to act  as if you are God, that is to say you don’t trust anybody, and you are the Dictator, and you try to keep everybody in line. You lose the divine energy, cause what you are doing is simply defending yourself. So then, the principle is the more you give it away, the more it comes back.

Now, you say “I don’t have the courage to give it away – I’m afraid.” And you can only overcome that by realizing you better give it away because there’s no way of holding on to it. The meaning of the fact, you see, that everything is dissolving constantly, that we’re all falling apart. We’re all in the process of constant death, and that the worldly hope that men set their heart upon – turns ashes or it prospers anon like snow upon the desert’s dusty face lighting a little hour or two – is gone and all that Omar Khayyam jazz.

The cloud-capp’d towers, the gorgeous palaces, the great globe itself. Yea, all which it inherit, shall dissolve, and, like this insubstantial pageant faded, leave not a rack behind.

All falling apart. Everything is. That’s the great assistance to you. That fact that everything is in decay is your help. That is allowing you, that you don’t have to let go, because there is nothing to hold on to. It’s achieved for you, in other words, by the process of nature.

So, once you see that you just don’t have a prayer, and that’s it’s all washed up and that you’ll vanish and leave no rack behind. And you really get with that. Suddenly, you find that you have the power, this enormous access of energy. But it’s not power that came to you because you grabbed it, it came in entirely the opposite way. Power that comes to you in the opposite way, is power with which you can be trust.

 The Universe is the game of self. Which plays hide and seek forever and ever. – Alan Watts

Alan-watts-finalIllustration by Stephen Collins

Neil deGrasse Tyson – Aliens Don’t Respect Human Intelligence (Video)

Neil deGrasse Tyson - Aliens Don't Respect Human Intelligence (Video) | Third Monk

Neil deGrasse Tyson feels that humans wrongly assume that we are of high enough intelligence to interest alien visitors.

Any species capable of interstellar travel would see human civilization as severely underdeveloped. Humans have escaped the Earth’s atmosphere, but just barely, Tyson explained:

If an alien traversed that distance, and all we are doing is driving around the block, they’re way more advanced than we are.

Neil deGrasse Tyson – How Alien Scientists Would Treat the Smartest Humans

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Space Exploration is Infinite Fuel for Curious Minds – Jason Silva

Space Exploration is Infinite Fuel for Curious Minds - Jason Silva | Third Monk

Jason Silva highlights the human tendency to keep moving forward, out of the trees, out of the caves, and eventually out of this planet. 

Exposing a curious mind to astronomy opens up a world of possibilities that influences progressive thinking. The desire to explore space and the infinite unknown creates a shift in values from self preservation toward universal expansion.

What the space age was seeking all along was not so much an expansion of physical space as an expansion of mind.

When we dream of space, we dream of transcendence, we dream of what we might become.

-Marina Benjamin, Poet

space-exploration-jason-silva

Sunshine, A Visual Masterpiece About Our Dying Sun From Danny Boyle

Sunshine, A Visual Masterpiece About Our Dying Sun From Danny Boyle | Third Monk image 3

sunshine-danny-boyle-4If you were cool enough to catch Danny Boyle’s Sunshine during its 2007 theatrical run, you were treated to a visually immersive film that brought you on board with a space crew chosen to save human existence by replenishing a dying sun. Supporting the eye opening cinematography was the beautiful soundtrack score by John Murphy that has been used in various films and shows like the Walking Dead.

The protagonists of Boyle’s films have included nihilist junkies (“Trainspotting”), enraged zombies (“28 Days Later”), neo-hippie backpackers (“The Beach”) and poverty defying children (“Slumdog Millionaire”). His genres have ranged from black comedy to apocalyptic horror to the metaphysical science fiction themes explored in Sunshine.

Sunshine Trailer – Directed by Danny Boyle

The principle of sensory stimulation is front and center in “Sunshine,” which depicts a manned mission to the Sun. A crew of scientists has been given the task of restarting the dying star by torpedoing it with a nuclear payload. The tone of the film is a throwback to 2001: A Space Odyssey and the premise seems to be lifted from the 1968 Pink Floyd title Set the Controls for the Heart of the Sun. On a related note, Pink Floyd was originally asked to score the soundtrack for 2001: A Space Odyssey.

Sunshine – The Surface of the Sun, Music Tribute

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One constant in my film career is focus on sheer physical pleasure. I don’t want people to sit there and objectively watch the film. I want them to experience it as something that’s under their skin, so you try to make the films really tactile. – Danny Boyle

Sunshine – Captain Kaneda Meets the Sun

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Danny Boyle his screenwriter, the novelist Alex Garland, who also wrote the script for “28 Days Later,” embraced the idea that “Sunshine,” precisely because of the vastness of its subject, would be a space odyssey in the most interior sense: a head trip. “It’s like films about mountains,” he said. “They’re not about mountaineering. They’re about the mind. Movies about space raise those questions of what we’re doing here, and that inevitably introduces a spiritual dimension.”

sunshine-danny-boyle-2Boyle tried to inspire a suitable degree of awe for the scenes that simulated contact with the Sun (crew members peer out at the looming orb through Ray-Bans and filtered windows). “I’d say things like, ‘Every bit of you is just a bit of exploded star,’ a nod to Carl Sagan’s philosophies.

Sunshine – Helios, Music Tribute

 

Sunshine – Danny Boyle Interview

 

Sunshine – Quentin Tarantino Review


> The Space Odyssey of Danny Boyle | New York Times

Neil deGrasse Tyson – We Stopped Dreaming, Imbalance of NASA and Military Budget (Video)

Neil deGrasse Tyson - We Stopped Dreaming, Imbalance of NASA and Military Budget (Video) | Third Monk image 4

The intention of the Penny 4 NASA project is to stress the importance of advancing the space frontier and is focused on igniting scientific curiosity in the general public.

Neil deGrasse Tyson – We Stopped Dreaming

Spending Resources in the Wrong Places

I’m tired of saying this but I have to say it again! The NASA budget is 4/10’s of one penny on a tax dollar. If I held up a tax dollar and I cut horizontally into it 4/10’s of 1% of its width, it doesn’t even get you into the ink! SO I WILL NOT ACCEPT A STATEMENT THAT SAYS “WE CAN”T AFFORD IT!”

Do you realize that the 850 billion dollar bank bailout, that sum of money is greater than the entire 50 year running budget of NASA. And so when somebody says we don’t have enough money for the space program I’m asking its not that you don’t have enough money , its that the distribution of money your spending is warped, in some way that your removing the only thing that gives people something to dream about tomorrow, the home of tomorrow, the city of tomorrow, the transportation of tomorrow, all that ended in the 1970’s after we stopped going to the moon, it all ended, we stopped dreaming. So, I worry that the decisions that congress make doesn’t factor in the consequences of those decisions on tomorrow. They’re playing for the quarterly report, they’re playing for the next election cycle and that is mortgaging the actual future of this nation, tomorrows gone.

Neil deGrasse Tyson – A New Perspective

Dissolving Our Artificial Boundaries

Photo of Earth. Rising over the lunar landscape. Earthrise over the moon. There was Earth. Seen not as the mapmaker would have you identify it. No. The countries were not color coded with boundaries. It was seen as nature intended it to be viewed. Oceans. Land. Clouds.

We went to the moon and we discovered Earth! I claim we discovered Earth. For the first time. How does that affect culture? I got a list! The instance that photo comes out, that is the identifying cover picture of the whole Earth catalog. Thinking of Earth as a whole. Not as a place where nations war. As a whole.

Imbalance of the NASA Budget

NASA Vs Military Budget Pie Chart Comparison

 

Decrease of NASA Budget Allocation

 

Choice Between Discovery and Destruction

15 Iconic Images From History and Pop Culture (Photo Gallery)

15 Iconic Images From History and Pop Culture (Photo Gallery) | Third Monk image 16

Take a look back in time with these great iconic images from History and Pop Culture.

Salvador Dali

At the end of his shoot with artist Salvador Dali — a session that took six hours and 28 throws (of water, a chair, and three cats), “my assistants and I were wet, dirty and near complete exhaustion,” photographer Philippe Halsman reported. The resulting image, with a leaping Dali in midair amid the madness, is a portrait as kinetic and surreal as artist’s own work.

 

Frozen Niagara Falls

 

The Fall of the Berlin Wall

 

Young Beatles

 

View from the Window at Le Gras 1826 (First Photo Ever Taken)

 

Pablo Picasso

For this 1949 portrait of Pablo Picasso in his studio in the south of France, the artist was inspired by Gjon Mili’s previous photos of ice skaters spinning through the air with small lights attached to their skates. Mili left the shutters of his cameras open as Picasso made ephemeral drawings in the air of a darkened room. This one was of one of a centaur. Mili caught the artist himself by using a 1/10,000th-second strobe light. This photo ranks among LIFE’s best partly because it actually captures the moment of creation by a genius.

Bruce Lee and Chuck Norris

 

 

Elvis in the Army

 

Charlie Chaplin and Ghandi

 

Google Launches in 1999

 

Audrey Hepburn and Grace Kelly

Backstage at the Academy Awards, two past Best Actress winners, Audrey Hepburn and Grace Kelly, await their turns to present. That Allan Grant could catch both supremely elegant, stylish icons together in a moment may have been a stroke of luck (Hepburn and Kelly never did work together, and very soon after this photo was taken the latter left Hollywood to become Monaco’s princess). But Grant’s use of composition and lighting — with the two women parallel and glowing in profile — is nothing short of masterful.

First Ever Free space walking, using the Manned Maneuvering Unit by Bruce McCandless – 1984

 

Construction of Disneyland

 

 The First Computer Ever

 

John F. Kennedy and Robert F. Kennedy

Then-U.S. Sen. John F. Kennedy confers with his brother Robert F. Kennedy in a hotel suite during the Democratic National Convention in Los Angeles. Looking at Hank Walker’s image today, through the filter of all we know now — that Jack would indeed win the nation’s highest office, with Bobby by his side as his most trusted adviser; that the brothers would navigate the United States through almost three years of magic and turbulence; that each man would be cut down by an assassin’s bullet by decade’s end — the poignancy is astonishing. And yet, even without the context of that history, the photo, with all its fascinating details and near-perfect composition, stands alone as powerfully

31+ Great Iconic Photos from History | Fun Bazaar