Painting Scenes – Cinematography Photo Gallery

Painting Scenes - Cinematography Photo Gallery | Third Monk image 8

Memorable film shots are born when a cinematographer uses the camera to paint a story. Every second is art in motion.

The Dark Knight by Wally Pfister

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Sympathy for Lady Vengeance by Chung Chung-hoon

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Stoker by Chung Chung-hoon

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Metropolis by Freund, Rittau, and Ruttmann

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Kill Bill: Vol. 1 by Robert Richardson

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Into the Wild by Eric Gautier

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Inglourious Basterds by Robert Richardson

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I Saw the Devil by Lee Mo-gae

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The House of the Devil by Eliot Rockett

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Halloween II by Dean Cundey

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Halloween by Dean Cundey

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Grindhouse: Death Proof by Quentin Tarantino

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Gremlins by John Hora

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Eraserhead by Frederick Elmes and Herbert Cardwell

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Apocalypse Now by Vittorio Storaro

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A Nightmare on Elm Street 5: The Dream Child by Peter Levy

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A Clockwork Orange by John Alcott

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2001: A Space Odyssey by Geoffrey Unsworth

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The Shining by John Alcott

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The Elephant Man by Freddie Francis

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Compiled from Reddit, view the full cinematography gallery on Imgur (note: about 300 photos)

Kubrick’s Answer – The Beauty of a Meaningless Life (Comic Strip)

Kubrick's Answer - The Beauty of a Meaningless Life (Comic Strip) | Third Monk image 2

Life is a beautiful thing, if you want it to be.

Taking an active role in the way we define our experiences allows more opportunities for growth; to be in an unusual situation, to overcome a new challenge or to create a work of art that sparks your imagination.

Kubrick’s answer is flawlessly expressed in Gavin Aung Than’s story panels. Each image underscoring his powerful message.

Stanley Kubrick Zenpencils

Kubrick is often described as an eccentric thanks to the stories about his obsessive attention to detail, treatment of actors, personality quirks and reclusiveness.

But these anecdotes are overshadowed by his ground-breaking movies, technical expertise and the opinions of those close to him, who described him as a warm, loving and gregarious genius of a man.

The quote used in the comic is taken from a 1968 Playboy interview Kubrick did soon after the release of 2001: A Space Odyssey. – Zen Pencils

Incredible Movie Paintings, Justin Reed Art Gallery

Incredible Movie Paintings, Justin Reed Art Gallery | Third Monk image 9

Justin Reed doesn’t just create paintings of awesome movies, he brings them to life. The characters in Reed’s movie paintings are composed in a style that matches the tone of the film.

The Shining

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Reservoir Dogs

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Edward Scissorhands

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A Clockwork Orange

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Kevin Smith’s View Askewniverse

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American Psycho

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Eternal Sunshine of the Spotless Mind

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Pulp Fiction

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Trainspotting

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There Will Be Blood

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Magnolia

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Batman: The Dark Knight

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Saturday Night Live Alum

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Sin City

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Once Upon a Time in America

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80s Action Heroes

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Death Proof

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Fight Club

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Gangsters

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Jay and Silent Bob

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Kill Bill

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Shawshank Redemption

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Alfred Hitchcock’s Films

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The Thing

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Psychedelic Cosmos – Pink Floyd’s Echoes, 2001: A Space Odyssey Mash Up (Video)

Psychedelic Cosmos - Pink Floyd's Echoes, 2001: A Space Odyssey Mash Up (Video) | Third Monk

Rumors suggest that Pink Floyd’s “Echoes” synchronizes with Stanley Kubrick’s 1968 film 2001: A Space Odyssey, when played concurrently with the final segment (titled “Jupiter and Beyond the Infinite”).

“Echoes” was released three years after the film’s production and is 23 minutes and 31 seconds in length; similar to the “Infinite” segment.

Sound effects in the middle of the song convey the feeling of travelling through, or flying over, an alien world.

The drone vocalizations heard in the final scenes of 2001 seem to match with the discordant bass vibrations in the middle of “Echoes”, as well as the choral glissando’s of its finale.

Another notable link occurs during a change in scene at precisely the moment when guitar and keyboards crescendo as the lyrics re-enter for the final verse.

The early lyrics vaguely convey reference to planets, which seems entirely suitable for the film’s depiction of Jupiter and it’s moons.

Adrian Maben re-created this marriage of music and image using CGI in his Director’s cut of Live at Pompeii.

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