Psychedelics is Our Bond to a Living Planet – Excerpts From Terence McKenna’s Food of The Gods

Psychedelics is Our Bond to a Living Planet - Excerpts From Terence McKenna's Food of The Gods | Third Monk image 1

Food of the Gods: The Search for the Original Tree of Knowledge A Radical History of Plants, Drugs, and Human Evolution by Terence McKenna explains how the ancient ritual use of psychedelic plants altered our states of consciousness.

He exposes the roots of commercialism and how governments have followed a basic set of strategies to promote alcohol, coffee and tobacco as mainstream drugs over mind expanding psychedelics. 

Mckenna wanted to make people curious about the role of psychoactive plants in human development, here are selected excerpts from his epic work:

Psychedelics Dissolve the Ego Culture

Terence Mckenna

How, specifically, might the consciousness-catalyzing properties of plants have played a role in the emergence of culture and religion?

What was the effect of this folkway, this promotion of language using, thinking, but stoned hominids into the natural order?

I believe that the natural psychedelic compounds acted as feminizing agents that tempered and civilized the egocentric values of the solitary hunter-individual with the feminine concerns for child-rearing and group survival. The prolonged and repeated exposure to the psychedelic experience, the Wholly Other rupture of the mundane plane caused by the hallucinogenic ritual ecstasy, acted steadily to dissolve that part of the psyche which we moderns call the ego. Wherever and whenever the ego function began to form, it was akin to a calcareous tumor or a blockage in the energy of the psyche.

The use of psychedelic plants in a context of shamanic initiation dissolved, as it dissolves today, the knotted structure of the ego into undifferentiated feeling, what Eastern philosophy calls the Tao. This dissolving of personal identity into the Tao is the goal of much of Eastern thought and has traditionally been recognized as the key to psychological health and balance for both the group and the individual. To appraise our dilemma correctly, we need to appraise what this loss of Tao, this loss of collective connection to the Earth, has meant for our humanness.

 

Western Dominator Religion Numbs the Soul

Terence Mckenna

We in the West are the inheritors of a very different understanding of the world. Loss of connection to the Tao has meant that the psychological development of Western civilization has been markedly different from the East’s. In the West there has been a steady focus on the ego and on the god of the ego, the monotheistic ideal.

Monotheism exhibits what is essentially a pathological personality pattern projected onto the ideal of God: the pattern of the paranoid, possessive, power-obsessed male ego. This God is not someone you would care to invite to a garden party. Also interesting is that the Western ideal is the only formulation of deity that has no relationship with woman at any point in the theological myth. In ancient Babylon Anu was paired with his consort Inanna; Grecian religion assigned Zeus a wife, many consorts, and daughters. These heavenly pairings are typical. Only the god of Western civilization has no mother, no sister, no female consort, and no daughter.

Modern religion in the West is a set of social patterns, or a set of anxieties centered on a particular moral structure and view of obligation. Modern religion is rarely an experience of setting aside the ego.

Since the 1960s, the spread of popular cults of trance and dance, such as disco and reggae, is an inevitable and healthy counter to the generally moribund form religious expression has taken on in Western and high-tech culture. The connection between rock and roll and psychedelics is a shamanic connection; trance, dance, and intoxication make up the Archaic formula for both religious celebration and a guaranteed good time.

The global triumph of Western values means we, as a species, have wandered into a state of prolonged neurosis because of the absence of a connection to the unconscious. Gaining access to the unconscious through plant hallucinogen use reaffirms our original bond to the living planet. Our estrangement from nature and the unconscious became entrenched roughly two thousand years ago, during the shift from the Age of the Great God Pan to that of Pisces that occurred with the suppression of the pagan mysteries and the rise of Christianity. The psychological shift that ensued left European civilization staring into two millennia of religious mania and persecution, warfare, materialism, and rationalism.

Benefits of Cannabis Use By Carl Sagan, Essay Excerpts

Benefits of Cannabis Use By Carl Sagan, Essay Excerpts | Third Monk image 4

Carl Sagan’s essay on cannabis was written in 1969 for publication in Marijuana Reconsidered (1971). Sagan was in his mid-thirties at that time. He continued to use cannabis for the rest of his life. Here are our favorite excerpts that highlight the benefits of cannabis use.

Break On Through to the High Side

I had reached a considerably more relaxed period in my life – a time when I had come to feel that there was more to living than science, a time of awakening of my social consciousness and amiability, a time when I was open to new experiences. I had become friendly with a group of people who occasionally smoked cannabis, irregularly, but with evident pleasure. Initially I was unwilling to partake, but the apparent euphoria that cannabis produced and the fact that there was no physiological addiction to the plant eventually persuaded me to try.

 

Surreal Art

The cannabis experience has greatly improved my appreciation for art, a subject which I had never much appreciated before. The understanding of the intent of the artist which I can achieve when high sometimes carries over to when I’m down. This is one of many human frontiers which cannabis has helped me traverse. There also have been some art-related insights – I don’t know whether they are true or false, but they were fun to formulate. For example, I have spent some time high looking at the work of the Belgian surrealist Yves Tanguy. Some years later, I emerged from a long swim in the Caribbean and sank exhausted onto a beach formed from the erosion of a nearby coral reef. In idly examining the arcuate pastel-colored coral fragments which made up the beach, I saw before me a vast Tanguy painting. Perhaps Tanguy visited such a beach in his childhood.

 

In Tune With Music

A very similar improvement in my appreciation of music has occurred with cannabis. For the first time I have been able to hear the separate parts of a three-part harmony and the richness of the counterpoint. I have since discovered that professional musicians can quite easily keep many separate parts going simultaneously in their heads, but this was the first time for me. Again, the learning experience when high has at least to some extent carried over when I’m down.

 

Enhanced Taste of Food

The enjoyment of food is amplified; tastes and aromas emerge that for some reason we ordinarily seem to be too busy to notice. I am able to give my full attention to the sensation. A potato will have a texture, a body, and taste like that of other potatoes, but much more so.

 

Sex and Weed

Cannabis also enhances the enjoyment of sex – on the one hand it gives an exquisite sensitivity, but on the other hand it postpones orgasm: in part by distracting me with the profusion of image passing before my eyes. The actual duration of orgasm seems to lengthen greatly, but this may be the usual experience of time expansion which comes with cannabis smoking.

 

One Consciousness

I do not consider myself a religious person in the usual sense, but there is a religious aspect to some highs. The heightened sensitivity in all areas gives me a feeling of communion with my surroundings, both animate and inanimate. Sometimes a kind of existential perception of the absurd comes over me and I see with awful certainty the hypocrisies and posturing of myself and my fellow men. And at other times, there is a different sense of the absurd, a playful and whimsical awareness. Both of these senses of the absurd can be communicated, and some of the most rewarding highs I’ve had have been in sharing talk and perceptions and humor.

 

Baking For Social Change

I find that most of the insights I achieve when high are into social issues, an area of creative scholarship very different from the one I am generally known for. I can remember one occasion, taking a shower with my wife while high, in which I had an idea on the origins and invalidities of racism in terms of gaussian distribution curves. It was a point obvious in a way, but rarely talked about. I drew the curves in soap on the shower wall, and went to write the idea down. One idea led to another, and at the end of about an hour of extremely hard work I found I had written eleven short essays on a wide range of social, political, philosophical, and human biological topics. Because of problems of space, I can’t go into the details of these essays, but from all external signs, such as public reactions and expert commentary, they seem to contain valid insights. I have used them in university commencement addresses, public lectures, and in my books.

 

The Plant or the Bottle

I have mentioned that in the cannabis experience there is a part of your mind that remains a dispassionate observer, who is able to take you down in a hurry if need be. I have on a few occasions been forced to drive in heavy traffic when high. I’ve negotiated it with no difficult at all, though I did have some thoughts about the marvelous cherry-red color of traffic lights. I find that after the drive I’m not high at all. There are no flashes on the insides of my eyelids. If you’re high and your child is calling, you can respond about as capably as you usually do. I don’t advocate driving when high on cannabis, but I can tell you from personal experience that it certainly can be done. My high is always reflective, peaceable, intellectually exciting, and sociable, unlike most alcohol highs, and there is never a hangover. Through the years I find that slightly smaller amounts of cannabis suffice to produce the same degree of high, and in one movie theater recently I found I could get high just by inhaling the cannabis smoke which permeated the theater.

 

We’re Getting There Mr. Sagan

There is a very nice self-titering aspect to cannabis. Each puff is a very small dose; the time lag between inhaling a puff and sensing its effect is small; and there is no desire for more after the high is there. I think the ratio, R, of the time to sense the dose taken to the time required to take an excessive dose is an important quantity. R is very large for LSD (which I’ve never taken) and reasonably short for cannabis. Small values of R should be one measure of the safety of psychedelic drugs. When cannabis is legalized, I hope to see this ratio as one of he parameters printed on the pack. I hope that time isn’t too distant; the illegality of cannabis is outrageous, an impediment to full utilization of a drug which helps produce the serenity and insight, sensitivity and fellowship so desperately needed in this increasingly mad and dangerous world.

> Mr. X By Carl Sagan (Full Essay on Cannabis) | Marijuana Uses

Dave Chappelle – Korean Store, Ashton Kutcher, Jeopardy Poems, Def Poetry Jam (Video)

Dave Chappelle - Korean Store, Ashton Kutcher, Jeopardy Poems, Def Poetry Jam (Video) | Third Monk

Dave Chappelle – Korean Store Poem

One night at 3 AM I went to the corner store
I forgot why…oh, that’s right, I wanted a bite
I had the munchies because I was high
The store is owned by Mr. Fong
And every day he sees me, he does me wrong
He’s Korean, and I never say I hate all Korean people
I haven’t met all Korean people, that hate talk is for savages
But even though I don’t generalize, I do do percentages and averages
So far I hate 1 out of 5 Korean people I’ve met so far
So I come in the store…”hello Mr. Fong”, I say
And he just scowls at me and growls at me
“Buy something…hurry up”
Now look, I’m not stealing the least
But if you’re shopping, and you know someone’s watching you shop
That shit’ll make you look like a thief
Mr. Fong said, “Hey! I’ve been watching you since you came in the door,
buy something now, or get out of my store!”
Now “I” couldn’t take it anymore
“Hey, Hey!” I said, raising my hand, “get your fingers out of my face
China man!”
Mr. Fong say “Hey! Hey! what make you think I’m Chinese? You must not know what you seeing! You made a mistake “brack man”, Mr. Fong is Korean!”
Now, I was wrong. I was wrong, I said, uh, Mr. Fong, I’m sorry to offend
by mistaking your race, but you gotta admit, if it was a Chinese look-alike contest, your ass would place!
You’re a dead ringer for a Chinese
But don’t be mad at me, I didn’t mean to offend you in the least
Some people say all black people look alike, we call those people, “Police”.

Dave Chappelle – Fuck Ashton Kutcher and How I Got The Lead on Jeopardy

Dave Chappelle caps on Ashton Kutcher and goes for the daily double on Jeopardy.

Dave Chappelle- Fuck Ashton Kutcher Poem

Fuck Ashton Kutcher
The public image butcher.

His shows a hit
And I can’t stand that shit.
I don’t even know him
And I hate his guts.

If he punks me
I won’t sign the release.
Because whenever he punks black people
It always involves the POLICE.

He be having all them white folks at home rollin’
“Brandy did you know that that jewelery was STOLEN?!”
But Hey! I’m a star!
Well stop shining and get your ass out that car.

Now he wouldn’t like it
If me and my friends
Just before dawn
Bust in his house
With some ski masks on
Put a gun in his mouth
Turn on the lights
And just when he screams
I’ll yell out “SIKE!”
Can you sign this release?
I want to entertain people with your fear.
You punk bitch.

Dave Chapplle – How I Got The Lead In Jeapordy

The score is 200
We’re all tied neck and neck
And it’s my turn to address Alex Trebek
I close my eyes and I thank the Lord
Finally, my category is on the board
“I’ll take fucked up things white people do for a thousand, Alex.”

A bell went off, this could mean trouble
“Today’s answer my friends is a Daily Double.”
I took a deep breath, I held myself steady
And Alex Trebek was like, “Dave are you ready?”
Hit the buzzer, “What is yes.”
And Alex said, “I didn’t ask you the question yet,”
“Now how much money you willing to bet?”

Smiled with confidence, my hand on my balls
I said, “Alex, I’m willing to bet it all.”
And Alex said, “Okay, here’s your question.”
“They stole these people’s land as they gave them syphilis.”
[Dave hits the mic like it’s a buzzer]
“Who is everybody that’s not white.”
Alex looks at the card disappointed
“Oh, my God, he’s right.”

Woody Harrelson – Thoughts From Within, a Stoner Poem on Society (Video)

Woody Harrelson - Thoughts From Within, a Stoner Poem on Society (Video) | Third Monk

Woody expresses his stoner observations on the world, our environment, the government and his hope for change.

Morality is legislated
prisons over-populated
religion is incorporated
the profit-motive has permeated all activity
we pay our government to let us park on the street
And war is the biggest money-maker of all
we all know missile envy only comes from being small.

I sometimes feel like an alien creature
for which there is no earthly explanation
Sure I have human form
walking erect and opposing digits,
but my mind is upside down.
I feel like a run-on sentence
in a punctuation crazy world.
and I see the world around me
like a mad collective dream.

An endless stream of people
move like ants from the freeway
cell phones, pc’s, and digital displays
“In Money We Trust,”
we’ll find happiness
the prevailing attitude;
like a genetically modified irradiated Big Mac
is somehow symbolic of food.

Morality is legislated
prisons over-populated
religion is incorporated
the profit-motive has permeated all activity
we pay our government to let us park on the street
And war is the biggest money-maker of all
we all know missile envy only comes from being small.

Politicians and prostitutes
are comfortable together
I wonder if they talk about the strange change in the weather.
This government was founded by, of, and for the people
but everybody feels it
like a giant open sore
they don’t represent us anymore
And blaming the President for the country’s woes
is like yelling at a puppet
for the way it sings
Who’s the man behind the curtain pulling the strings?

A billion people sitting watching their TV
in the room that they call living
but as for me
I see living as loving
and since there is no loving room
I sit on the grass under a tree
dreaming of the way things used to be
Pre-Industrial Revolution
which of course is before the rivers and oceans, and skies were polluted
before Parkinson’s, and mad cows
and all the convoluted cacophony of bad ideas
like skyscrapers, and tree paper, and earth rapers
like Monsanto and Dupont had their way
as they continue to today.

This was Pre-us
back when the buffalo roamed
and the Indian’s home
was the forest, and God was nature
and heaven was here and now
Can you imagine clean water, food, and air
living in community with animals and people who care?

Do you dare to feel responsible for every dollar you lay down
are you going to make the rich man richer
or are you going to stand your ground
You say you want a revolution
a communal evolution
to be a part of the solution
maybe I’ll be seeing you around.

~ Woody Harrelson

Everything You Need to Know About Writing Successfully in Ten Minutes – Stephen King

Everything You Need to Know About Writing Successfully in Ten Minutes - Stephen King | Third Monk image 1

Stephen King used to teach English composition to high school kids while struggling to write a novel called Carrie – as well as work part time at a steam laundering industry and help his wife Tabitha raise their first child. So if you want a little friendly advice from the person who has probably made the single best living of anyone who has ever tapped finger to keyboard, this is your guy.

1. Be talented

This, of course, is the killer. What is talent? I can hear someone shouting, and here we are, ready to get into a discussion right up there with “what is the meaning of life?” for weighty pronouncements and total uselessness. For the purposes of the beginning writer, talent may as well be defined as eventual success – publication and money. If you wrote something for which someone sent you a check, if you cashed the check and it didn’t bounce, and if you then paid the light bill with the money, I consider you talented.

Now some of you are really hollering. Some of you are calling me one crass money-fixated creep. And some of you are calling me bad names. Are you calling Harold Robbins talented? someone in one of the Great English Departments of America is screeching. V.C. Andrews? Theodore Dreiser? Or what about you, you dyslexic moron?

Nonsense. Worse than nonsense, off the subject. We’re not talking about good or bad here. I’m interested in telling you how to get your stuff published, not in critical judgments of who’s good or bad. As a rule the critical judgments come after the check’s been spent, anyway. I have my own opinions, but most times I keep them to myself. People who are published steadily and are paid for what they are writing may be either saints or trollops, but they are clearly reaching a great many someones who want what they have. Ergo, they are communicating. Ergo, they are talented. The biggest part of writing successfully is being talented, and in the context of marketing, the only bad writer is one who doesn’t get paid. If you’re not talented, you won’t succeed. And if you’re not succeeding, you should know when to quit.

When is that? I don’t know. It’s different for each writer. Not after six rejection slips, certainly, nor after sixty. But after six hundred? Maybe. After six thousand? My friend, after six thousand pinks, it’s time you tried painting or computer programming.

Further, almost every aspiring writer knows when he is getting warmer – you start getting little jotted notes on your rejection slips, or personal letters . . . maybe a commiserating phone call. It’s lonely out there in the cold, but there are encouraging voices … unless there is nothing in your words which warrants encouragement. I think you owe it to yourself to skip as much of the self-illusion as possible. If your eyes are open, you’ll know which way to go … or when to turn back.

 

2. Be neat

Type. Double-space. Use a nice heavy white paper, never that erasable onion-skin stuff. If you’ve marked up your manuscript a lot, do another draft.

 

3. Be self-critical

If you haven’t marked up your manuscript a lot, you did a lazy job. Only God gets things right the first time. Don’t be a slob.

 

4. Remove every extraneous word

You want to get up on a soapbox and preach? Fine. Get one and try your local park. You want to write for money? Get to the point. And if you remove all the excess garbage and discover you can’t find the point, tear up what you wrote and start all over again . . . or try something new.

 

5. Never look at a reference book while doing a first draft

You want to write a story? Fine. Put away your dictionary, your encyclopedias, your World Almanac, and your thesaurus. Better yet, throw your thesaurus into the wastebasket. The only things creepier than a thesaurus are those little paperbacks college students too lazy to read the assigned novels buy around exam time. Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule. You think you might have misspelled a word? O.K., so here is your choice: either look it up in the dictionary, thereby making sure you have it right – and breaking your train of thought and the writer’s trance in the bargain – or just spell it phonetically and correct it later. Why not? Did you think it was going to go somewhere? And if you need to know the largest city in Brazil and you find you don’t have it in your head, why not write in Miami, or Cleveland? You can check it … but later. When you sit down to write, write. Don’t do anything else except go to the bathroom, and only do that if it absolutely cannot be put off.

 

6. Know the markets

Only a dimwit would send a story about giant vampire bats surrounding a high school to McCall’s. Only a dimwit would send a tender story about a mother and daughter making up their differences on Christmas Eve to Playboy … but people do it all the time. I’m not exaggerating; I have seen such stories in the slush piles of the actual magazines. If you write a good story, why send it out in an ignorant fashion? Would you send your kid out in a snowstorm dressed in Bermuda shorts and a tank top? If you like science fiction, read the magazines. If you want to write confession stories, read the magazines. And so on. It isn’t just a matter of knowing what’s right for the present story; you can begin to catch on, after awhile, to overall rhythms, editorial likes and dislikes, a magazine’s entire slant. Sometimes your reading can influence the next story, and create a sale.

 

7. Write to entertain

Does this mean you can’t write “serious fiction”? It does not. Somewhere along the line pernicious critics have invested the American reading and writing public with the idea that entertaining fiction and serious ideas do not overlap. This would have surprised Charles Dickens, not to mention Jane Austen, John Steinbeck, William Faulkner, Bernard Malamud, and hundreds of others. But your serious ideas must always serve your story, not the other way around. I repeat: if you want to preach, get a soapbox.

 

8. Ask yourself frequently, “Am I having fun?”

The answer needn’t always be yes. But if it’s always no, it’s time for a new project or a new career.

 

9. How to evaluate criticism

Show your piece to a number of people – ten, let us say. Listen carefully to what they tell you. Smile and nod a lot. Then review what was said very carefully. If your critics are all telling you the same thing about some facet of your story – a plot twist that doesn’t work, a character who rings false, stilted narrative, or half a dozen other possibles – change that facet. It doesn’t matter if you really liked that twist of that character; if a lot of people are telling you something is wrong with you piece, it is. If seven or eight of them are hitting on that same thing, I’d still suggest changing it. But if everyone – or even most everyone – is criticizing something different, you can safely disregard what all of them say.

 

10. Observe all rules for proper submission

Return postage, self-addressed envelope, all of that.

 

11. An agent? Forget it. For now

Agents get 10% of monies earned by their clients. 10% of nothing is nothing. Agents also have to pay the rent. Beginning writers do not contribute to that or any other necessity of life. Flog your stories around yourself. If you’ve done a novel, send around query letters to publishers, one by one, and follow up with sample chapters and/or the manuscript complete. And remember Stephen King’s First Rule of Writers and Agents, learned by bitter personal experience: You don’t need one until you’re making enough for someone to steal … and if you’re making that much, you’ll be able to take your pick of good agents.

 

12. If it’s bad, kill it

When it comes to people, mercy killing is against the law. When it comes to fiction, it is the law.

That’s everything you need to know. And if you listened, you can write everything and anything you want. Now I believe I will wish you a pleasant day and sign off.

My ten minutes are up.

> The Writer (1986) | Stephen King

Twenty Basic Plots of Screenwriting

Twenty Basic Plots of Screenwriting | Third Monk image 2

After you come up with your own system for generating ideas, the next step is to put them in some recognizable story form (the basic plot idea), build your central conflict (the story premise sheet), then build your character and underlying themes (the thematic premise sheet).

#1 QUEST

The plot involves the Protagonist’s search for a person, place or thing, tangible or intangible (but must be quantifiable, so think of this as a noun; i.e., immortality). In Harold & Kumar Go to White Castle, the stoner best friends go on a journey to find the ultimate late night munchies.

#2 ADVENTURE

This plot involves the Protagonist going in search of their fortune, and since fortune is never found at home, the Protagonist goes to search for it in unfamiliar territory.

#3 PURSUIT

This plot literally involves hide-and-seek, one person chasing another.

#4 RESCUE

This plot involves the Protagonist searching for someone or something, usually consisting of three main characters – the Protagonist, the Victim & the Antagonist.

#5 SACRIFICE

Plot involves the Protagonist taking action(s) that is motivated by a higher purpose (concept) such as love, honor, charity or for the sake of humanity.

 

#6 REVENGE

Retaliation by Protagonist or Antagonist against the other for real or imagined injury. In Oldboy, revenge knows no limits.

#7 THE RIDDLE

Plot involves the Protagonist’s search for clues to find the hidden meaning of something in question that is deliberately enigmatic or ambiguous.

#8 RIVALRY

Plot involves Protagonist competing for same object or goal as another person (their rival).

#9 UNDERDOG

Plot involves a Protagonist competing for an object or goal that is at a great disadvantage and is faced with overwhelming odds.

#10 TEMPTATION

Plot involves a Protagonist that for one reason or another is induced or persuaded to do something that is unwise, wrong or immoral.

 

#11 MATURATION

Plot involves the Protagonist facing a problem that is part of growing up, and from dealing with it, emerging into a state of adulthood (going from innocence to experience). In The Lion King, young Simba matures into a king after dealing with an uncle that hates on his throne.

#12 TRANSFORMATION

Plot involves the process of change in the Protagonist as they journey through a stage of life that moves them from one significant character state to another.

#13 METAMORPHOSIS

This plot involves the physical characteristics of the Protagonist actually changing from one form to another (reflecting their inner psychological identity).

#14 LOVE

Plot involves the Protagonist overcoming the obstacles to love that keeps them from consummating (engaging in) true love.

#15 FORBIDDEN LOVE

Plot involves Protagonist(s) overcoming obstacles created by social mores and taboos to consummate their relationship (and sometimes finding it at too high a price to live with).

 

#16 ESCAPE

Plot involves a Protagonist confined against their will who wants to escape (does not include someone trying to escape their personal demons). In The Shawshank Redemption, Andy Dufresne goes through a tunnel of shit to get his life back.

#17 DISCOVERY

Plot that is the most character-centered of all, involves the Protagonist having to overcome an upheavel(s) in their life, and thereby discovering something important (and buried) within them a better understanding of life (i.e., better appreciation of their life, a clearer purpose in their life, etc.)

#18 WRETCHED EXCESS

Plot involves a Protagonist who, either by choice or by accident, pushes the limits of acceptable behavior to the extreme and is forced to deal with the consequences (generally deals with the psychological decline of the character).

#19 ASCENSION

Rags-to-riches plot deals with the rise (success) of Protagonist due to a dominating character trait that helps them to succeed.

#20 DECISION

Riches-to-rags plot deals with the fall (destruction) of Protagonist due to dominating character trait that eventually destroys their success.

(Note: Sometimes #19 & #20 are combined into rags-to-riches-to-rags (or vice versa) of a Protagonist who does (or doesn’t) learn to deal with their dominating character trait.)

IDEAS, PLOTS & USING THE PREMISE SHEETS | Tennessee Screenwriting Association